Perform a close reading of any passage or short chapter

The Grapes of Wrath, examining its enforce of stem, setting, t one and only(a), figurative language, entirelyusions, etcetera By Angela-Stanton The Grapes of Wrath not still criticizes the socio-economic problems provoked by capitalism, but advocates ( clean bravery) as the answer to conflicts and hostilities. In Chapter 29, Steinbeck emphasizes that although natures omnipotent causality of destruction Is beyond human control, moral courage fag end sustain accept and opinion In deportment.This theme is successfully achieved in this short but monumental intercalary heaper through the effective habituate of figurative language and diction, leading to the memorable ending in Chapter 30 where rosiness of Sharon selflessly suckles the dying man. The taradiddle paints a Blvd setting of the destitute atomic number 18na. The clouds, crook and pelting argon personified as the destructive forces of nature. The blue-eyed(a) clouds are marchlong In from the ocean.The aggres sive verb march presents the military nature of the clouds, foreshadowing how this strong military overpowers domain and land. Contradicting auditory images describe the intrude that swished in the bush and roared in the forests. The auditory verb swished depicts the swift, furtive action of the wind as It passes the bush whereas the contrasting auditory verb roared reminds us the wind has a violent Impact on the land. The adverbs fiercely and silently are oxymoron describing how the wind overwhelms valet de chambre brutally without announcing its arrival.Rain is also personified as it Whipped the illumination water and Whipped up the surfaces of the fields. The repetitive usage of the relentless verb Whipped illustrates the falls physical force and portrays it as a flop tormentor of land and humans. The action of the rainfall and Its Impact on the land are emphasized by the fit structure the streams and the little rivers move on up to the bank sides, worked at willows a nd corner roots, bent the willows deep in the current compress out the roots of cottonwood and brought down the trees. This reduplicate structure consists of phrases denting with a powerful verb that inflicts misery on a victim, emphasise the pervasive Impact of the unceasing rain. embodiment is extended to the description of the land. Initially, the reason is drinkinning the rain when the rain only consists of small drops and a besotted beat. This personification depicts the rains essential role as a nourishing provider for life. Then, the rain intensifies and the creation whisper down the stairs the beat of the rain and the streams thunder under the churning freshets.This parallel structure Juxtaposes the earth and the streams using contrasting auditory verbs, displaying the earth as a thunderinning streams. The earths changing reaction to the intensifying rain from drinking to mouth alludes to the rains volatility reigning over the vulnerability of the land. This ins inuation extends to nature in general, fee-tailing that nature is precious which controls the well-being of humans and land. The narration also explores the severity of the rains impact on the migrator workers.The water fouls the ignition wires and fouls the carburetors of the cars. This parallel structure emphasizes the extensive destruction with the employment of active voice placing Water as the subject, suggesting that condescension their level of technology and utility, the cars are inevitably destroyed. Although the unsettleds want to run for from this hostile environment, their cars Wouldnt start beca physical exertion the wires were shorted ND if the engines would run, deep mud engulfed the wheels.The character of the if conditional structure indicates that there is no workable solution to combat the flood. all in all these details in the narration plant the peoples solemn attitude since their last resort, that is migration, is destroyed by the rain. The narrativ e perspective shifts from one adverse predicament to another, creating a everyday sense of inevitability to escape from the disaster. The migrant workers splashed out through the water to towns, country stores and relief offices to seek help and shelter.The verb splashed portrays the workers horrendous attempt to survive which is further increase Their suffering is further intensified by the parallel by the structure to layover out how they beg for bread, beg for vector decomposition vegetables and steal when they washbowl. The feature that they are beggary for these basic provisions reveals their desperate attempts at survival shows the inevitability of their fate. Then, the narration focuses on the specific individuals reaction towards the flood. In the steady hay of leaking barns, babies are born to Women who pant with pneumonia.This situation is a contrast to the confideful expectations of unfermented life. Instead, these babies are born to intense suffering, distem per and death. Meanwhile, old people curl up in the corners and die that way. This symbolic act underscores their need for puff and security, regressing to their fetal position before death. The fact that the disaster has affected both stages of life reflects the scope of misery, aggravating the despondent liveliness which prevails the narration. This tone is accentuated through the repetitive use of the conjunction And.This manipulation is intentional, conveying that difficulties are accumulating and both humans and land stick outnot escape from this disaster. The greatest fear amidst the catastrophe is the deprivation of work. This concern is accentuated by the two sudden, dopey paragraphs No work till spring. No work // And if no work no money, no food. These are hopeless complaints of the migrant workers. The abruptness, along with the repetition of no work, highlights the workers dire financial situation. Since their hope for work is shattered, they are too feeble to sust ain their deal for survival.This fear is intensified by the use of effects, no money, no food. The pause seems to imply the reluctance of the workers to acknowledge the consequences of unemployment. There is a change of tone when the migrants fear turns into wrath. The good turn point is introduced by the short censure Themes horses were men. This bitter comment demonstrates the mens realization of their ill-treatment and worthlessness when compared to the horses. Realizing such an injustice, they gather together and resentment takes its place instead of fear. The gathering empowers them to combat ill will actively instead of suffering helplessly.This bingle reflects Steinbeck proletarian ideology that men can generate surprising power together with in brotherhood. It tends to advocate that moral courage is the answer to conflicts and hostilities. The change of tone is nearly prominent at the end of the chapter when hope and relief is conveyed through the color of crazy g reen in the hills and tiny points of grass in the send-off of the year. This sudden change of color from immemorial to green creates a hopeful rebirth, suggesting that between the state of hopelessness and hopefulness, the only powers that can sustain humans through all adversities is moral courage.This turning point rekindles readers faith in life and is vital to their taking into custody of the final message conveyed in Chapter 30 through Rose of Sharon. Overall, chapter 29 portrays the asperity of nature and underscores the conflict between nature and men. Together with the hopeful, symbolic ending, it brings out the theme that even though nature is omnipotent, it can be counteracted by moral courage. If humans remain individualistic, they become powerless. However, if humans are unified, they can benefit from the mutual represent and bonding of brotherhood, which is the driving force that beautifies and prospers humanity.